Jessica Field

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Tantalus Synthesis
2005
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Overview

This installation is comprised of five electronically networked robots that interact with the viewer. The puppets are designed to have the goal of attaining as much motion as possible. The viewer’s motion triggers the robot's motion, via a motion sensor. Each robot is programmed with their own rules of conduct based on their characters' ideal way of attaining motion. The robots are programmed to measure success and failure based on the length of time that the viewer moves in front of them and on how much attention other robots receive from the viewer. When the viewers' response fulfills the desire for motion, the puppets are successful, or conversely, they will experience a conflict with their ideology. The robots are dependent on the viewer's responses to prove to themselves that their rules of conduct are correct. This personality flaw confines them to constantly measure their success and failure. It is this act of obsessing over their influences on the audience they are unable to ever experience a feeling of content.

All the robot characters exist in an environment that is socially competitive in that they all rely on the viewer to satisfy their desire. When the viewer engages with the piece, they realize over time that it is impossible to satisfy all the robots' desire for motion, since the robots are focused on rating their achievement in attaining motion. In viewing all of the puppets at once, the viewer sees them perpetually shifting from a sense of success to the experience of failure. Thus all of those involved in an environment conducive to competition and absorbed by the desire for success become trapped in an eternal conflict between their environment and themselves.

Tantalus Synthesis from Jessica Field on Vimeo.

Regan uses sensuality to entice her audience to stay with her and cue her by moving so she can continue her performance. Cordella uses ecstatic over the top dancing to charm the audience in watching her perform so they will help her to continue her dance. Goneril uses mystique with a sense of playful humour as her method of attracting an audience so they will egg her on to continue performing.

 

Technical Description:

These robots were all built using automata mechanical theory. The reference used in designing these robots came from the book, Cabaret Mechanical Movement written by Aidan Lawrence Onn and Gary Alexander. This book shows how to think in terms of automata and give ideas of good cam and linkages designs to help get you started. After that point, these robots were designed by playing with paper mechanisms until all the movements we desired became possible using cams, linkages, levers, shafts, and cranks.

These robots went through many phases, the first was paper, then they became wooden mechanisms, then using the wood parts as a template they were constructed yet again using more durable materials such as poly carbonate and metal.

 

Wooden versions of robots used to figure out and finalize all movements and mechanisms.

 

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Tantalus Synthesis Project Jessica Field and Shawna Reiter © 2005

Jessica Field © 2009

Based in Oshawa, Ontario, Canada

Last updated June 23, 2009